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The Art of Poetry Writing: A Guide For Poets, Students, & Readers
PDF Ebook The Art of Poetry Writing: A Guide For Poets, Students, & Readers
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Review
"By now the number of how-to books about poetry is beyond count, yet there is hardly a classic among them. Packard's book qualifies." --Karl Shapiro"William Packard surely must be one of the great editors of our time." --James Dickey
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About the Author
William Packard is the author of The Poet's Dictionary, an A-Z reference of poetic devices, and The Poet's Craft, a collection of interviews with poets originally published in The New York Quarterly. He has been a professor of poetry at New York University for over twenty-five years, working with thousands of students; in his work with The New York Quarterly he has interviewed hundreds of practicing poets on the issues discussed in this book. He lives in New York City.
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Product details
Hardcover: 240 pages
Publisher: St. Martin's Press; 1 edition (June 15, 1992)
Language: English
ISBN-10: 031207641X
ISBN-13: 978-0312076412
Product Dimensions:
6 x 0.8 x 8.5 inches
Shipping Weight: 15.8 ounces
Average Customer Review:
4.8 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#1,219,424 in Books (See Top 100 in Books)
Auden recounts a tale of two teachers walking through a wood in the spring. The first quotes Wordsworth:O cuckoo shall I call thee birdor but a wandering voice.The second adds:State the alternative preferredwith reasons for your choice.If the author of this skit was Housmann (so says Stephen Fry), little has changed in the century or so between our respective school days. Would-be teachers of poetry now being just as glib, just as clinical, and every bit as dull as their predecessors. The exception being that nowadays the second teacher would be read as some sort of ironic/sarcastic, self-referential postmodernist. He would though remain glib, clinical and dull, with the addition of becoming an incredible imbecile as well.Packard is no imbecile. He is droll where others are glib, expansive where they are clinical, he is intelligent, insightful and very far from dull. What he has achieved is commendable. The mechanics of a poem can be analysed and poured over and they have been by all and sundry. Those technical aspects however, can't be treated adequately in isolation from the the vision of the poem; its soul. To me this is what makes teaching poetry the most unenviable task. I know of know one who has been able to, in short, or at length, capture the essence of creating poetry, the 'art' of it, not as I understand it. Certainly not great poetry. And by that I mean simply poetry that has the power to exalt. Packard has approached this task as well as anyone. Having done so he is in rare company. Mary Oliver comes to mind. Strange that they should both be North American. Perhaps Europeans aren't quite so fearless. Or perhaps Europeans know better than to tread where angels wouldn't be caught dead?
This book is a clear, concise guide to writing and reading poetry, starting with a brief introduction of the history of poetry. The author provides explanations of devices, examples of verse forms, and writing prompts.
Just as many other 5 star reviews. Enjoyed reading this book.
Excellent book for poetry lovers, gibves nuts and bolts and beauty.
A great learning experience
Incredible. They said it was like new. It was definitely like new.
I found that this book had little to say to the 'soul' of the poet but a tremendous amount to say about the craft. I first picked this book up several years ago, and since then the chapter on 'Verse Forms' is something that has stayed with me -- whenever I wonder just what a 'sestina' or a 'villanelle' is I pick up this book. I have also found the example poems Packard uses to be unusual and therefore interesting and occasionally inspiring. It is a reference and it's not a 'feel-good' book, but it's one I value on my shelves, and which I've given to other people who want a little more discipline in their poems than free verse provides.
This book was everything I could have wanted; it is comprehensive in its listing of genres, forms, poetry devices and history, and has some good psychological pointers about the writer's life and the need to allow yourself solitude and time away from workshop madness. Its lists of books to read while writing, before writing and just plain writing literacy are superb, and its "writing challenges" (exercises for writing poems when you're stumped) are super. I'm working my way through them, day by day.
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